
It was August by the time I made it along, late afternoon on a sunny Friday. When it's quiet you really get a feel for the size of the place: a vast wooden floored bearpit with a long bar at the centre and more secluded carpeted areas on different levels off to the sides. I had a slight awww moment when I noticed the silent TV screens were set to RTÉ News Now rather than Sky, as would be normal in the UK. Lots of staff were milling about, far more than there were customers. I guess the rotas were still in the planning phase. A drink, then.

Having decided there was nothing on cask I wanted and moving over to the keg taps, the first one to catch my interest was DNA, that oddity from Charles Wells made with a dash of Dogfish Head IPA. My pint arrived a cheery clear copper colour but dear lord it was cold. As the condensation cascaded onto my table that's when I noticed the pub doesn't put beermats out, though they are available. Once it was warm enough for me to taste something I found it quite a subtle and refreshing beer. Its American heritage is there in the sherbety fruit tones, though there's nothing you'd actually call bitter or citrus, and then there's a rising caramel aftermath meaning that it soon starts tasting as brown as it looks. DNA offers a few seconds of enjoyment but just gets boring after that. I understand that the recipe has been revised since the summer so your mileage will obviously vary, if you haven't already been put off it.

I wasn't expecting to be back as soon as October, thinking that the chain wouldn't bother with including Ireland in the yearly cycle of special beer festivals. But they did, and on Friday 17th October the first beers from the Wetherspoon International Real-Ale Festival went on sale in Dublin. I really enjoyed my time at this event in Belfast last year so headed straight for Blackrock early in the afternoon of day two.


After that I lost my nerve on risking whole pints and opted for the, admittedly wonderful, three thirds for the price of a pint. We settled in front of the real fire while I set about them.
On the left of the picture, the first was another down-under collaboration: Two Birds Golden Ale, by the Melbourne brewery of the same name, brewed at Banks's. It's a reddish sort of gold and that's probably its most interesting feature. A bit of golden syrup malt, maybe, but otherwise harmless and bland. Neither bells nor whistles in JW Lees John Willie's 100 (far right) either. This is brown bitter of the very brownest sort, a one dimensional toffee pudding that had nothing wrong with it, but I was glad I only had a small glass to work through all the same. And in the middle Abbaye Blonde brewed at Shepherd Neame with input from Belgium's Val-Dieu brewery. This 6%-er was pretty good, all biscuits and bubblegum, sprinkled with honey and cereal. No Belgian stickiness, just good, clean, drinkable golden ale.
My advice to myself for these Wetherspoon collaboration sets is to look out for the ones brewed at Adnams. They tend to be a cut above the others. There was only one on this list, a collaboration with SixPoint called Bklyn Bitter. The pumpclip was present but flagged as "coming soon" and the helpful barman said he expected it to be pouring later that evening. We were in no rush. A wander up the street brought us to The Dark Horse where Goodbye Blue Monday was pouring on cask, throwing all of the Wetherspoon offerings far into the shade. We returned to The Three Tun Tavern just after six to find the afternoon's families had cleared out and the place was now heaving with determined evening drinkers. 6pm on a Saturday seems to be the time when Blackrock turns up its rugby shirt collar and heads to the pub. We found a space in a corner and I brought us two pints of Bklyn.

It didn't let me down. Maybe a little over-egged at 5.5% ABV while tasting far more safe and sessionable, this is rose gold in colour and smells enticingly of sulphur and black tea. It's tannins a-go-go the way Adnams does best, more a lemon tea effect on tasting, when the hopping kicks in, and hitting the back of the throat and roof of the mouth with a tannic dryness. I'd have been happy if that's all it did but there was also big rich mango juiciness and a dusting of incense spice. Phwoar. This one was well worth waiting for.
So, clearly a mixed bag at The Three Tuns, but hooray for choice. I doubt I'll be making regular forays out to Blackrock, Dún Laoghaire or Swords just to go to Wetherspoon, and even if and when they open in the centre of town I can't see it becoming a destination for a night out. But just a few pints of something of Bklyn's calibre per year will do me. Welcome to Dublin, JD.
(This is my second #beerylongreads post in the current round. For the full list of contributions, see Boak and Bailey's blog here.)
No comments:
Post a Comment