Showing posts with label gob fliuch. Show all posts
Showing posts with label gob fliuch. Show all posts

27 December 2023

Thirteenth night

Coming off the back of the 12 Brewers of Christmas sequence which finished two days ago, 12 more breweries which didn't make that (completely arbitrary) cut.

Dundalk's Mo Chara pub / event space / whatever you're having yourself has collaborated with five different Irish breweries so far, on their "Ár gCairde" series. Now they've got a beer that's all their own, called Mo Chara, and look: stubbies! You don't see them very often here, especially not in the 33cl size, but it's an undeniably cool format. I felt self-conscious pouring this into a glass because it's clearly not intended with that in mind. "Brewed in Town" says the label, so I assumed that either Dundalk Bay or Pearse Lyons were responsible, but it's actually brewed one county to the left, at Brehon in Monaghan.

It's a flawless pale gold in the glass, with a properly Germanic head of fine white bubbles. The session credentials are sealed with its modest 4.2% ABV. The aroma is subtle and Helles-like, with a touch of grain or bread but not much else, and the texture is similarly smooth: half the glass was gone on the first pull. The flavour doesn't offer much for a reviewer to grasp upon, but of course that's absolutely the point. It's utterly clean and on the dry side, but not oppressively so. For hops, look elsewhere. Microbrewed lager can be luck of the draw, and Brehon, as far as I know, doesn't make one of their own. Here, however, they've avoided all the too-regular pitfalls and created a beer that may present as bland to the sad beer geeks, but it's not for them, and I would happily have chugged a second, and a third, in short order. 

Ballykilcavan switched to bottles for their latest, citing the hassle of the upcoming deposit return scheme for cans. I'm not complaining about the extra volume of beer, nor that the beer itself is a dark mild. Endurance is 4.2% ABV and an attractive clear garnet colour with a thin layer of ivory-coloured head. The aroma sets out its stall as sweet, offering up plum and chocolate vapours. Happily it tastes drier, not quite giving the coffee which my favourite milds have, but rather a porter-adjacent light roast. The sweet side of the flavour is not fruit but treacle, dark and sticky tasting, though not actually sticky in texture. Dry and sweet blend together harmoniously, laced at the edges with both dark and milk chocolate plus a very English metallic hop bite ahead of a neat and clean finish. This is excellent, and compares very favourably with Gob Fliuch, the quality mild from Four Provinces. I hope it finds a market, and I think the bottle format will help it to do that.

A brand new brewery for me next, and possibly the first time I've ever drank a beer brewed in my native county of Armagh. McCrackens is in Portadown and McCrackens Black their stout. The can says to pour it in one go so I thought it was going to be nitrogenated but it's not: no creamy white head here, instead a wholesome dark brown one. The aroma is bitter and tarry, suggesting this definitely isn't pitched at the mainstream stout drinker. It's fairly smooth and lightly sparkling, with lots of thick dark malt in the body. That contributes hugely to the treacley flavour, and the bitterness is back, tasting strongly herbal, like rosemary and grass clippings. It's certainly bold, though the big flavour tips a little into off-flavour with a touch of phenol on the end. Overall, it's pretty good, with the big hop character I always like to find in a stout. Though only 4.5% ABV it's no lightweight.

Neither is Screw Steamer, a California common from Lacada. I wasn't any sort of enthusiast for this style until its San Francisco flagship sank; now I see it as a rare heritage beer, deserving of recognition and preservation. It shows up infrequently in Ireland and I'm glad Lacada took a punt on it. The result is a deep copper shade with plenty of fizz. Dry crispness should be a hallmark, but this puts a rounded and quite sweet fruitiness at the centre, suggesting strawberry and red cherry to me. That's backed by quite a thick texture: not really something that could be mistaken for a lager. A more typical peppery spice flavour arrives late but doesn't hang around long, with the finish being estery; strawberry turning to banana and pear. In spite of the lack of crispness, I liked it. It's a sipper rather than a refresher but there's plenty of interesting things going on in it, and no technical flaws.

Another new brand for me, Hopsicle is a joint operation from Cork pubs The Bierhaus and Fionnbarra's, brewing in Dublin at Third Barrel, which is how their second beer, Is Citra Way To Amarillo, ended up in UnderDog just before Christmas. It's a pretty standard 5% ABV hazy pale ale, one with a particularly soft texture and lots of orange juice in the flavour. A balancing bitterness brings up the rear and ensures the sweet side stays under control. It may not be a very distinctive individual, but it's fine pub drinking, and there's nothing wrong with that.

Third Barrel themselves have something similar out under their own label: Eat. Sleep. Pale. Repeat., a 4.8% ABV double dry-hopped pale ale with Mosaic and Citra. This is another orangey-yellow job, and smells sweetly juicy, of jaffas and ice cream, with a minor herbal bite. The texture is light, coming across as a little thin, despite the best efforts of a haze-derived creaminess. There's very little assertive about the flavour: it's quite anodyne, bringing only light fruit flavours and a rough bitterness, all finishing quickly. The name is well chosen: this is a beer for drinking, not tasting. It's nicely refreshing, but don't expect depths of hazy complexity.

At Western Herd they've swapped their usual big bag of hops for a big bag of coffee, creating Beerista, described as a "coffee blonde pale ale". I've never seen the like. It is more or less blonde, with a polished-copper pink tint. The pour seemed a little flat, only reluctantly forming a head and offering no more than a gentle sparkle. There's an aroma of coffee of a certain kind; a cold pouch of ground beans, with nothing warm or inviting about it. In the flavour it's predominantly a pale ale: they didn't go too far away with those hops and there's quite an old-school American, or even English, tang of earthiness, which tastes like Cascade to me, even though there's Strata and Amarillo in here as well. I couldn't taste any of their fruitiness. The coffee is surprisingly complementary to this, again not heavy on the roast, or concentrated or oily; little more than a seasoning, in fact, adding a different sort of dryness to an already quite dry base beer. At only 5.1% ABV there's not a lot of complexity on offer, and while it's no revelatory taste experience, the experiment does work, giving you something interesting and worthwhile for your trouble.

Trouble Brewing itself, some months ago now, released a bitter of the extra special sort, brewed in collaboration with Italian brewery Railroad, and named Catenary. I doubt it would pass muster over in Britain as it arrived decidedly hazy, making the amber colour appear quite muddy. The aroma does say old-school Kentish bitter to me, smelling zesty and pithy like big jaffa oranges. The flavour continues in that direction, the mild citrus joined by a more metallic sort of bitterness. It's a convincing enough take that I found the cold and fizzy keg serve unsatisfactory: this does deserve to be on cask. 5.4% ABV but don't even think about drinking it in small measures: it's very much not that sort of beer.

WhiteField continues to be a pleasant surprise on the rare occasions I see its beer for sale. This time it was in the Mace on the South Circular Road and the beer is the 2023 edition of Harvest Ale. The description is intriguing: a blend of sour beer and weissbier with added Tipperary raspberries. Some of you may remember this recipe, or one very like it, as White Gypsy Première Framboise a few years ago. You also get a reminder that WhiteField runs the only cork-and-cage machine in the country. It's doing a fine job. The cork comes out with a pleasing pop and the beer behind it is crisply fizzy. It's a hazy orange colour, with a barely-there pinkish tint from the raspberries. There's an oaky spice to the aroma, reminding me of geuze, even though it's not barrel aged. The flavour is balanced, and integrates its component parts well. The dry sour side is at the centre, genuinely tasting like a decent Belgian oude geuze only slightly softer. The raspberries have a gentle sweetening effect, not the sort of pink foghorn you usually get from raspberry beers. I don't get where the weissbier fits into the blend, but I'm guessing it's helping take the edge off the sourness. It's very tasty and surprisingly refreshing for 5.8% ABV. I hope the experiment gets a third run out soon.

At the same strength is the new Cold IPA from Rascals, the last in their three-part Outbreak series. Cold IPAs taste like onion and this is no different, even though they've done it with all southern-hemisphere hops: Motueka, Galaxy and Pacific Sunrise. I would never have guessed. It's a clear sunset gold and a little spicy with a big side order of cooked vegetables. That resolves into predominantly white onion in the flavour, with only a faint lacing of lighter citrus. I know it's the whole point of the style, but the highly attenuated malt base makes this less enjoyable for me, taking away the platform which the hops need to work from. While it's not actively unpleasant, it does seem a bit washed out, lacking the hop heft I want from a 5.8% ABV IPA.

This year's winter seasonal from Hope is Seasonal Red Ale, a bit of a whopper at 7% ABV. It pours out thickly, forming a head slowly but expansively. It's quite dark, on the brown end of red, and with a brothy murk. It smells beery: a concentrated mix of sticky malt, old-world hop bitterness and fuggy booze vapours. The flavour really leans into those hops, bringing a tangy vegetal bitterness from the use of Challenger. That runs in parallel with a cake-like sweetness, suggesting cherry pies and marzipan. Strong and red doesn't usually float my boat, but I liked the heft of this one. Beer can bring wintery comfort without needing a double-digit ABV. 

This year Lineman has significantly slowed its output of new beers. Perhaps created before that strategic decision was made, Kismet is a dark strong ale, having had "extensive wood ageing". In what, we are not told. It finished up at 11.5% ABV, is a dark brown and cost €11.25 for a half litre bottle. The aroma is sweetly dessertish, conjuring tiramisu, affogato and chocolate torte. Chocolate dominates the flavour but has a slightly twangy oxidised sherry note in, suggesting things might not have gone exactly as planned. There's a vague spirit heat, but without knowing in advance I couldn't tell you which brown spirit previously inhabited the barrels. I tried hard to like it, and the formula is sound, but the vinegary poke to it means it fails to live up to its price tag.

Lots to take stock of there, and indeed over the past twelve months. Luckily, I know just the format in which to do that. Stand by.

31 December 2021

Back slaps and barley wine

My reflections on 2021-that-was are dogged by the question of whether this was Another Weird Year or the beginning of The New Normal. Regardless, I am sticking doggedly to the old categories laid out by Mark and Andy 600 years ago, and will endeavour to fill each one, however meaninglessly. If you're looking for relevance and insight you are very much on the wrong blog.

A tradition of my own dictates that the meandering musings be accompanied by a beer, and this year's was shipped to me by Eight Degrees as a kind gift. Irish Oak-Aged Barleywine is the fourth in their five-beer Original Gravity series. It's a beast of a thing at 12.2% ABV and one noteworthy aspect is its use of Irish oak for the ageing, something we also saw from Wicklow Wolf's autumn Locavore barley wine last month. In the glass it's a pleasing russet shade and has a gorgeous vinous aroma, all Madeira, Tokaji and similarly sweet, luscious styles. Though it poured thickly, the texture is light on the palate, and only the heady alcohol vapours give the drinker pause; a reminder that this is very much a sipping job. The flavour opens with a sharp pinch of wood, sappy and resinous, before smoothing out into the sweet wine detected in the aroma. This would run the risk of turning cloying were the texture thicker, though there's also a certain balancing bitterness from Nugget and Cascade hops. The specs tell us they're working at a massive 82 IBUs though only just making themselves heard. I think I enjoyed the base beer a lot more than the barrel effects. An additional can will be aged to see if that sappiness fades eventually. Overall, though, this is an excellent relaxing beer for a winter's afternoon. Not that I get to do any relaxation, as I move on to...

The Golden Pint Awards 2021

Best Irish Cask Beer: BRÚ Brown Ale
There's always at least one winner-by-default in these, and they're starting early this year. The pub situation being what it was, this is the only Irish cask beer I drank in 2021. Still, it wouldn't get an award if I hadn't enjoyed it so BRÚ is fully deserving of the accolade.

Best Irish Keg Beer: Four Provinces Gob Fliuch
A year after its launch in cans, the Four Provinces mild arrived at the brewery pub on draught for the first time, albeit only for takeaway pints, initially. During the summer it became my Friday evening ritual and one of the highlights of the week. This is still a magnificent beer, and that it's comfortingly familiar and brewed on my doorstep is also in its favour.

Best Irish Bottled Beer: Land & Labour Lúnaberry
I mentioned last year that this has become the true prestige category of the GPAs. Bottles are for the special stuff. There were several candidates but when I took stock of my memories of each, the blueberry lambic-a-like from Land & Labour was the one which left the strongest lasting impression of excellence. It's L&L's first appearance in this category but from what I've tasted in 2021 I'm reasonably sure there will be more in future.

Best Irish Canned Beer: Western Herd Flora & Fauna
It was April when this one made me think "that's a Golden Pints winner right there". I have since run the due diligence; there were quite a number of candidates for this award, and an extremely honorable mention must go to Brewmaster Imperial Nitro Stout, but I think Flora & Fauna holds up as the greatest achievement of the canned arts on this island in 2021. I knew nothing about it when I drank it, but in the gap between me drinking it and publishing a review one month later, the plaudits were already pouring in. The apotheosis of the West Coast revival, this brought me back to a time when big and punchy American hops on a clean malt base, served brewery-fresh, was the most perfect thing ever produced for humans to drink.

Best Overseas Draught Beer: De la Senne Zenne Pils
Another category awarded based on the feel of the memory rather than any detailed analysis of the field. I was surprised to find a pils by the pint on my visit to Brasserie de la Senne but utterly thrilled by what I was given. I saw little sign of this becoming a ubiquitous flagship around Brussels but it absolutely deserves to be one.

Best Overseas Bottled Beer: Cantillon Carignan
Yeah, my holidays were largely in Brussels this year, at a time where there was some slight semblance of old-normality about the place. So I drank large bottles of fruited geuze in the Cantillon brewery bar, and they were absolutely delicious, and the Carignan grape one was my favourite of those. Were I giving out silver and bronze medals, other beers from the same session would likely feature, but that would be boring.

Best Overseas Canned Beer: Sierra Nevada Big Little Thing
Now this was a surprise. Nothing jumped out immediately for the category so I had to do some digging to find candidates. And even though I haven't been fully on board with Sierra Nevada's sequence of Hazy Little Thing brand extensions, it turns out I sang the praises of this one. I don't remember now exactly how it tasted so it's just as well it's still in circulation. I will be giving it another go.

Best Collaboration Brew: Galway Bay / Stu Mostów Boulevardier
This was such a close contender for best Irish bottled beer that I'm delighted to find a different rosette to pin on it. My cynicism over beers designed to taste like cocktails was completely washed away by this one. It's all beer, and a masterclass in complexity and balance, even when bourbon barrels and double-digit ABVs are involved.

Best Overall Beer: Western Herd Flora & Fauna
Like I say, it's a classic; a beer for the ages. I wouldn't dream of using this award as a means of bribing the brewery into keeping it in production, but if that should occur, I won't have any particular objection.

Best Branding
: Metalman
The 2010 Golden Pints saw brand new brewer Metalman take an award for their art deco logo before it had even released any beer. The brand got an overhaul this year, moving from the 1920s to the 1950s with the classic science-fiction look of its Galactic Voyager series. It's colourful and dynamic, all action and excitement while still classic and charmingly retro. Since the first ones appeared in the spring I always look forward to seeing each new version.

Best Pump Clip: Flow
Table service has really done a number on the tap badge as a marketing tool. Admiring the array of artwork while my pint is being poured seems like something from a bygone age. I feared I might have to skip this award, except... I really like the goofy wolf logo used by the Wolf foodhall in Brussels. You see him a lot in there and he is used on the mini blackboards attached to the taps of the onsite Flow brewery. I therefore deem him a pump clip, and my favourite of the year. Good boy.

Best Bottle/Can Label: Whiplash The Horror
More than any Irish brewery, Whiplash puts High Art on its cans. Just occasionally, however, Sophie the artist gives us something playful and silly, which is when I tend to take notice. So it is with the wide-eyed Charlie Sheen, captured in a particularly daft bit of that very daft war film. Go get 'im, Chuck!



Best Irish Brewery: Lineman
I say this almost every time I review one of their beers, but Lineman really has a bead on how to make classic beer styles, and they've turned out a particularly pleasing high number of those during 2021. Quality and variety done locally is how this award usually goes, and this year Lineman was a level above.

Best Overseas BreweryBrussels Beer Project
I came home from Brussels very impressed at how the local brewing scene has expanded in recent years, and how the city really seems to be taking it to its heart. I drank and enjoyed quite a few beers from The Big Two, and I'm sure there are those who think I've picked the wrong one here: unlike De la Senne, BBP has not yet made the move to being a fully in-Brussels brewery. But it's coming, as is their all-new lambic brewery, so I have no qualms about giving them this award, though the quality of the many beers released under their name is phenomenal too.

Best New Brewery Opening 2021: Farrington's
Pickings were slim in this category, but there is definitely promise in what I've tasted from the new brewery in Kildare, so they get the gong.

Pub/Bar of the Year: DeRat
I didn't spend much time in pubs this year. It has simply stopped being the fun it used to be, and Dublin lacking a beer bar with serious variety and turnover means there's not much to attract me and my notebook out. Calling in for one beer on a dismal evening in October was enough to secure this prize for DeRat in Utrecht. It was busy but not crowded, highly convivial and with a fantastic selection. For half an hour I had a glimpse back to how pubs used to be. Should it ever come back, I will not be taking that for granted.

Best New Pub/Bar Opening 2021The Beer Temple
There's only one serious contender in this category: the takeover of this grand prime location on the corner of Dame Street and Parliament Street by the newly combined Galway Bay and BRÚ breweries. They had a short run at normality during November, and I enjoyed my visits. I look forward to making more of it in the months, and years, to come.

Beer Festival of the YearPINT Jubileum
Another default winner. The bijou little festival at Bierbrouwerij Mommeriete in Gramsbergen to celebrate PINT's birthday was my only beer festival of 2021. I did enjoy it, though.

Supermarket of the Year: SuperValu Sundrive
This shop goes through phases of being good at beer and is currently on something of an upswing. On more than one occasion this year I found beers on the shelves which had not yet made their way to the independent off licences. This award is dedicated to whomever it is who keeps saying "Yes" when the Grand Cru van opens its doors.

Independent Retailer of the Year: Craft Central
My time in the city centre has been limited all year, so when I'm looking to pick up beers, efficiency is important. Craft Central / Stephen Street News hasn't quite been a one-stop-shop for me, but it's the next best thing. I have availed of browsing the fridges, click-and-collect and home delivery, and it all just works.

Online Retailer of the Year: Yards & Crafts
February saw Brickyard in Dundrum pivot to becoming an online off licence as well. I've only used them a few times, but it's always been because they have something in stock that I can't find anywhere else. That's the service I need most from an online operation and what makes this one stand out for me.

Best Beer Book or MagazineBeeronomics: How Beer Explains the World by Johan Swinnen & Devin Briski
I've had this book since 2018 but for whatever reason never made the time to read it. This year I did, and really enjoyed it. The writers are economists, so take the working of the market as the starting point of their examination of beer and brewing through history, from the church's taxes on medieval gruit, through to the grand consolidation which resulted in AB InBev vs. everybody else. The chapter on how TV advertising was responsible for the death of local American beer brands is particularly enlightening -- it's nice that there are still new stories to tell from 20th century beer history.

Best Beer Blog or WebsiteBoak & Bailey
Our little community of beer commentariat is getting littler, but Jess and Ray are doing steadfast work to keep it together and, where possible, expand it so it's not the same old voices. Their Saturday morning round-ups are essential reading, and they even find the time for the occasional blog post (and beer reviews!) among the newsletter, Patreon and social media material. Being the Head Girl and Head Boy of Beer Blogging College can be a thankless task, so this is just to say thanks, it is appreciated.

Simon Johnson Award for Best Beer Twitterer: @Nickiquote
This reformed beer blogger rarely mentions the stuff any more but there's plenty of good (better) content besides: art, music, dry wit and a rich seam of quality retweets. Nick has kept me amused and entertained all year.

Best Brewery Website/Social media: Whiplash
Two in a row for the Dublin brewery. In my citation last year I complained that they were a little too Instagrammy for my liking, but it's all on Twitter where I can see it now: lots of detail on the many new releases and re-releases over the year, plus of course the iconic artwork. Questions get answered too, which should be taken for granted but not every brewery on social media does it. Well played to all the humans behind the Whiplash accounts. 


Is that enough? I think that's enough. On the cusp of this blog's 18th year it only remains for me to say thanks to you, the reader, for keeping my hit counter ticking over. Have a safe and happy New Year, and I'll be back with the first of 2022's posts on Monday.

20 May 2020

The mild month of May

"DARK MILD" goes the Twitter cacophony when any Irish brewery makes the mistake of asking what they should brew. Well, the one nearest my house has put it up to us keyboard warriors by brewing and canning just such a beer. I grabbed some first chance I got: two of the 330ml cans because mild obviously has to be a pint.

Four Provinces Gob Fliuch* is 3.8% ABV and pours a murky dark brown with a flat cap of off-white foam. There's a strong roasty-toasty component to the aroma, but with some chocolate and an autumnal fruit tartness too. That blackberry and loganberry effect flashes briefly in the foretaste before the roast bitterness crawls in behind it, one powerful enough to make the "mild" designation a little ironic. Thankfully it calms down before it turns harsh, fading out on a floral air of lavender and rose.

Despite everything going on flavourwise, and a substantially full body too, this remains as pint-quaffable as mild ought to be. I can only quibble that I prefer a little more on the sweet flowers-and-chocolate side and less bitterness in my milds, but that's purely a personal thing. This is bang on style and beautiful, multifaceted, session drinking. One for all the other brewers wondering if the style is worthwhile.

*From the Irish toast "Croí folláin agus gob fliuch" -- a healthy heart and a wet mouth.