Showing posts with label kentucky bourbon barrel. Show all posts
Showing posts with label kentucky bourbon barrel. Show all posts

27 January 2014

Breakfast for bastards

Maybe it's just me, but 8.3% ABV seems a bit strong for a breakfast beer. So it is with Founders Breakfast Stout, however, a viscous affair of the deepest densest black hue. It gloops out of the bottle, gradually forming a chocolate coloured head which fades away leaving just a thin loose layer of bubbles. The coffee used in the brewing process makes its presence felt in the aroma, with a distinct element of brown sugar in among the bitterness and roast. I was surprised by the texture: not as thick as it appears on pouring; surprisingly light and drinkable, in fact; smooth and clean, creamy without being palate-coating. More coffee and dark chocolate in the taste, as well as a mildly metallic hop twang as well. Almost as enjoyable is the lack of any putty flavour which often ruins oatmeal stouts for me. This is an elegant and balanced beer, but I think better suited to after-dinner drinking than pre-lunch.

Keeping the viscosity theme going, Founders also makes Dirty Bastard: an 8.5% ABV Scotch ale utilising smoked malts. Sounds just the sort of thing I like, but the execution is poor: the amount of residual sugar is off the scale, making it cloyingly sweet and sticky. The lovely phenols from the smoke come through as a sort of burnt plastic flavour. Bleurgh.

It's not clear whether Backwoods Bastard is simply a barrel aged version of it, only that I bought it for some reason. 10.2% ABV and a lurid limpid red it emits a powerful waft of boozy wood. The sweet-sour bourbon really dominates the flavour, being resinous and a little bit spicy. My perceptive other half says it tastes of coconut -- dark chocolate Bounty bars in particular -- and it would be remiss and neglectful of me not to pass that on. Either way, there's very little sign of the beer underneath, and merciful as that may be, overall I don't think it really works. I'd place it in the same bracket as the likes of Innis & Gunn and Kentucky Bourbon Barrel Ale: beers where the concept was given priority over the taste and the finished product suffers as a result. That said, it's far from undrinkable the way some of these beers can be, and there's a pleasant vinous, perhaps even port-like smoothness to the texture. Pair it with a sufficiently powerful cigar and this bastard might just prove enjoyable.

30 December 2013

Time gentlemen

It's hard to believe we're already on year five of Messrs Mogg and Dredge's annual round-robin beer awards thingy, The Golden Pints. As with all regular awards programmes, it's hard work striking a balance between the same parties getting the nod every year and the pass-the-parcel effect where taking the gold is just a matter of waiting until everyone else has already had it. In past years I've tried to avoid these pitfalls but it has reached the point where it's making the whole thing awkward, so for 2013 I'm paying no attention at all to what has gone before and writing down my gut instinct answers to this year's categories.

To assist me in composing my justifications for each winner I'm joined by a large bottle of Kerkom Winterkoninkske, which has been sitting in my stash for a couple of  years now, awaiting its moment to shine. At 13% ABV it's strictly for the darkest depths of winter, and the stiff rubber cork really makes you work for your beer. When I eventually got it open, what poured out is a flat and slightly syrupy-looking dense black beer, briefly forming a loose head which disappears before I can even raise the glass. There's a savoury, autolytic quality to the aroma: the teriyaki glaze effect familiar to fans of Samuel Adams Triple Bock. It's all about chocolate in the flavour, of the top-notch milk variety, accentuated by the silky smooth texture. There's alcoholic heat and no rough edges at all, just a tiny metallic ping from a molasses taste at the finish. For all its strength and sophisticated presentation it's not actually all that complex, but it's just the liqueur substitute I'm after for some end-of-year musings.

The Golden Pint Awards 2013

Best Irish Cask Beer: Moonbeam.
A tough one to kick off. I loved Hilden Number Four when I found it at the Irish Craft Beer & Cider Festival: it's a beer that showcases the richness and depth of flavour that comes with cask dispense. But then so does Moonbeam, and this dark ale by Metalman does it with hops too. Ordering a repeat pint at the Bull & Castle is a rarity for me, but sinkable Moonbeam made me do it, so is my Irish cask choice for 2013.

Best Irish Keg Beer: Of Foam and Fury
Well duh! Galway Bay's 8.5% ABV hop explosion is the beer everyone's been talking about, because it's the beer everyone's been waiting for. I've just got over the novelty at this stage and am actually able to order other things in Galway Bay pubs, but it was a real desert island job for a while there: all the complex subtlety and all the loud brashness you need from a beer, in a single glass.

Best Irish Bottled or Canned Beer: Amber Ella
This pale ale from Eight Degrees impressed at the ICBCF in September when it made its draught début but I didn't go chasing the bottled version until it popped up on special at 57 The Headline. All that mango and mandarin  freshness is still present in the bottle and makes for a magnificently invigorating zing-filled experience.

Best Overseas Draught Beer: Edelstoff
A big shout-out for Sharp's Panzerfaust here, which quietly appeared at the Franciscan Well Easter Beer Festival but hasn't been seen since, alas. But while that's a fun novelty, my top foreign draught experience this year was an old favourite: the inhaleably smooth Edelstoff at the Augustiner Keller in Munich last March. Great beer enhanced by excellent company in wonderful surrounds.

Best Overseas Bottled or Canned Beer: Quetsche
Having missed it at the Zythos beer festival I was overjoyed to find Tilquin's plum lambic afterwards in Moeder Lambic Fontainas. The way it stimulates one's salivary glands to create a genuine taste explosion brought me back to my early lambic experiences and a reminder of why this sort of beer is for me. That it's the dearest beer I've ever had (€30 a 75cl bottle) is neither here or there.

Best Collaboration Brew: Adnams Supremely Self-Conscious
This was also a contender for Best Overseas Draught, though it's hard to do any sort of meaningful comparison between it and Edelstoff. A session-strength dark ale brewed at Adnams in collaboration with Stone and served at JD Wetherspoon in the autumn. Crazily hoppy yet exceptionally drinkable, Moonbeam turned up to 11; a masterpiece.

Best Overall Beer: Quetsche
Flavour, aroma and texture are all well and good, but for its sheer physiological impact, my favourite beer of 2013 was Tilquin Quetsche.

Best Branding, Pumpclip or Label: Otterbank Brewing
I was about to troop after everyone else who nominated Partizan -- their graphics are endlessly entertaining -- but a late Irish entrant shades it for me. This Golden Pint goes to new gypsy brewing operation Otterbank, and their all-business mascot, designed by Twisted Doodles (aka Maria). I wear ties that way too.

Best Irish Brewery: Eight Degrees
Where output, innovation and distribution are concerned, Eight Degrees were first rate this year, and the quality of their products was pretty damn good too. Putting out three simultaneous winter seasonals was a ballsy move, and that deserves credit.

Best Overseas Brewery: The Kernel
2013 was the year I finally "got" hoppy Kernel beer. I don't know if they just happened to be using varieties I like when I drank them, or if it's personal lupulin threshold shift going on, but I really enjoyed the Kernel IPAs I had this year; their dark beers are as consistently brilliant as always; and then there's London Sour.

Best New Brewery Opening 2013: JW Sweetman
Technically I think this was a late 2012 opening, but it was definitely 2013 when Dublin's one and only brewpub made its presence felt. First and foremost, the product quality under brewmaster Rob has been exceptional. In a Dublin pub scene where prices appear to be spiralling insanely upwards it offers easily the best value around. And there's a real sense that the serving staff actually give a shit about the product, which was rarely the case in its previous incarnation. So three cheers for Barry, Dave, Rob and all the team at JWS, and somebody please steal their business model: Dublin needs at least three more of these.

Pub/Bar of the Year: The Bull & Castle
There are many contenders for this, but I can't go past the Bull & Castle. Literally, in fact. The range of Irish beers and the turnover of specials and seasonals has been phenomenal. It remains the best venue to get a handle on what's happening on the national scene.

Best New Pub/Bar Opening 2013: 57 The Headline
And hot on the B&C's heels is Geoff's new venture on Leonard's Corner. A solid core of quality beers plus ample space given over to rotationals, with a suburban local feel which is conveniently in my end of town. Having only opened in October it's still finding its feet so we can expect the offer to improve even further in 2014.

Best City for Beer in Ireland: Kilkenny
Yes, I'm overlooking Dublin, Cork and Belfast -- all of which I enjoyed drinking in this year. But the most fun was a summer weekend in the Marble City, centred on the fabulous Brewery Corner pub.

Beer Festival of the Year: Borefts
BräuKunst Live! in Munich was certainly educational, but my other half didn't attend, which immediately means it wasn't as enjoyable as it could have been. Borefts, then, takes the prize for beer quality, atmosphere and company -- plus a greatly enhanced food offer this year.

Supermarket of the Year: Fresh, Smithfield Square, Dublin 7
They accidentally underpriced a shipment of Moor beers this year, and Alex didn't manage to snaffle all of them before I got in.

Independent Retailer of the Year: DrinkStore
I actually have to make a concerted, conscious effort to go to other off licences now. DrinkStore is there, and has everything. Job done. They're the reason I'm not giving out a Golden Pint for online retailer of the year, and if I were they'd probably get that too.

Best Beer Book or Magazine: None
Books? Sure haven't we the Internet?

Best Beer Blog or Website: Zak Avery.
Because this.

Best Beer App: Janetter
It's just a general-purpose Twitter client, but it has a mute-by-app function which means I can switch off other people's Untappd updates. This has massively enhanced the quality of my Twitter experience.

Simon Johnson Award for Best Beer Twitterer: @Thirsty_Pilgrim
So many great Twitterers out there, local and international, but I'm a particular fan of the window on the world of beer revealed by Joe.

Best Brewery Website/Social media: Galway Bay Brewery
A slick new website, and regular Twitter updates from both owner and head brewer. Real engagement too -- not just an endless retweeting of praise. If your business Twitter account is in the habit of retweeting other people saying nice things about you: Fucking. Stop.

Food and Beer Pairing of the Year: Bourbon Barrel Ale with Bellingham Blue
The beer's pretty poor and the massive sweet oak totally overpowered the excellent steak it was supposed to be paired with at Alltech's reception launching their festival next February. But the acidity of the cheese really put manners on it.

A big thanks to everyone who nominated me for Golden Pints. There'll be more drinking beers and then writing down what they taste like next year.

16 December 2013

Horses for courses

The Alltech beer and whiskey extravaganza will be returning to the Convention Centre in Dublin this February. The American multinational specialises in animal nutrition but runs a brewery and bourbon distillery on the side as pet projects of the owner Dr Lyons.

I wasn't much of a fan of the flagship bourbon barrel aged ale when I first encountered it last year: there's more than a hint of Innis & Gunn sickliness about it, so I was apprehensive when approaching its stablemates. Kentucky IPA is 6.5% ABV and a very slightly hazy orange-gold. The aroma is pithy with a hint of boiled sweets and the carbonation light and prickly. That candysugar flashes briefly at the start but an assertive bitterness swings in quickly behind it, sharp and mouthwatering, if a little metallic. There are notes of beeswax which make it seem more English than American, despite the strength, and while it lacks fruity freshness or hop complexity, I rather liked its straightforward, plain speaking bitter bite.

To accompany the barrel-aged ale, there's a Bourbon Barrel Stout too, also 8% ABV but this time the beer is robust enough to stand up to the spirit. Not that the two complement each other, just that the beer isn't ruined: what you get is a sticky sweet stout with lots of caramel plus a background buzz of woody bourbon and a pleasant alcoholic heat. I'm reminded a lot of the Innis & Gunn stout, one of the very few palateable beers they've made. This too is palateable but not a patch on the kind of barrel aged stouts produced by breweries of De Molen's calibre, for instance.

By way of disclaimer, both these beers were freebies at the July Alltech event and there was more corporate hospitality at the launch last week of the February event. Thanks once again to the Alltech crew for their generosity.

24 September 2012

Blown cover

Majestic. That's the word I'd use for the Brooklyn Black Ops bottle, a tall tapering 75cl embossed with the Brooklyn logo and labelled silver on black with matter-of-fact sans serif lettering. It's the sort of class that bottles which strive to be classy never quite manage and makes you feel like you really have something as you twist the cork cage open.

This imperial stout is a little light on its feet for a barrel-aged job, just 10.7% ABV and you can see in the pour that it doesn't gloop out like others of its kind, splashing into the glass and forming a lively dark brown head, settling down to a tan skim. Coffee is what leaps out in the aroma to me: a big, sweet, almost fruity, roast smell. There's an echo of the bourbon cask too: that sharp sour mash tempered by vanilla oak.

The coffee is still there in the flavour but takes more of a mocha direction as bitter dark chocolate comes into play. The wood and whiskey thing is still going on, but it doesn't blend so well with the stouty flavours, drowning the sweetness in the foretaste somewhat and taking most of the credit for the finish with its heady alcoholic vapours.

It's a class act, though perhaps not as multidimensional as some of the stronger barrel-aged imperial stouts. And I'm beginning to think, between this and the Bourbon Barrel Ale I had recently, that maybe bourbon is a little to brash for aging beer well. Something called "Black Ops" should be a little more subtle, I think.

13 September 2012

Out to launch

The Irish Craft Beer Festival rolled in to the RDS in leafy Dublin 4 last weekend, the second time it has been held here. A combination of great weather and Leinster playing at home in the stadium next door ensured a brisk trade, with somewhere over 6000 punters crossing the threshold over the three days, easily accommodated in the spacious Victorian splendour of the Industries Hall.

Alongside a couple of the new-wave cider producers (McIvor's, Tempted? and Stonewell), some homebrew show-and-tell from the Beoir fermentationists and assorted ancillary food and drink retailers (Pieman Café, I bloody love you), most of the country's independent breweries had a stand. And lots of them were using the event to launch new products or limited specials. Lots of scooping potential, then.

There was one totally new beer brand in the form of Bo Bristle, the Co. Offaly brewery formerly known as BrewEyed. Bo Bristle IPA is the flagship, a big sticky-sweet 5%-er in something of an English vernacular. Lagery golden syrup is the heart, lightly laced with citrus and finishing floral. Bo Bristle continues to brew Carrig under contract and has produced a new beer to go with the pale lager: Rower, an Irish red. Yeah, I know: Irish red, yawn, but it's one of the better ones, with lots of toffee plus a solid hop bite. This extra oomph means it does get a bit heavy as it warms up, but overall a decent take on the style.

The O'Hara's range had two new additions, making appearances on draught: Natural Blonde is a dark golden ale loaded with weighty banana esters, far away from the thinner paler lagerlike blondes one normally sees. O'Hara's Winter Star is their first ever seasonal, a lurid orange-coloured winter ale of 4.3% ABV. Orange peel, cinnamon and coconut provide the excitement here, and while I got a hint of marmalade in the foretaste, the aroma and finish are coconut in a big way. The cinnamon has completely disappeared, and it's light on malt and hops, so a little bit one-dimensional, but simple and interesting.

And much as the new ones from Carlow were the centre of my attention, there was also an oak-aged version of Leann Folláin stout on cask. This was beautiful: massive vanilla wood in the aroma but with plenty of rich and smooth chocolate stout flavours still making themselves felt in the flavour. Great balance and one of the best oak-aged beers I've tasted in a while. Less convincing was one of the American guests at the festival: Kentucky Bourbon Barrel Ale. It's not unpleasant, per se, it just tastes powerfully of whiskey, shooting its 8% alcohol right up the back of the nose. You'd be better off with an actual glass of bourbon, to be honest.

Whitewater were also at the barrel game, with a limited supply of their oak-aged Clotworthy Dobbin for sale in bottles. I sneaked a taste before I purchased and it really lives up to the hype: big Christmas cake flavours with sweet cigar tobacco, all on a very sippable lightish body. From their beer engine there was Down Pilgrim, a new cask ale. The USP here is all-local barley from a neighbouring farmer coupled, as the name suggests, with Pilgrim hops. You get a light-coloured pale ale which begins with a little bit of toasted biscuit, following it up with a sharp bitter finish. One of those sessionable beers with character that are always great to settle into. I wasn't so keen on Whitewater's McHugh's 300, a 3.5% ABV keg blonde brewed for the Botanic Inns chain, a big customer of the brewery's. I found it just too sharp -- pretty much acetic -- to be enjoyable.

From the Odd Experience file, we have my first ever taste of Beal Bán from Beoir Chorca Duibhne. This blonde ale had a weird phenolic twang, and apparently a dash of smoked malt went into the recipe, which would explain things. There's also quite a bang of boozy heat from it, at 5.3% ABV: another golden ale that's anything but bland. And then there was a dry-hopped version of Dungarvan's Copper Coast. You know the ad for Best Western that they show on Dave? Where the brewer says his beer has "A hint of coffee with a nice green apple finish"? That.

Dungarvan provided three of my favourites from the whole gig, as well as a chocolate stout I could take or leave but seemed quite popular. Standout star of the show -- of the festival -- was Rye-PA. Normally I'd run a mile from rye in beer, disliking the harsh grassiness it normally creates. But there's only a hint of that in here, the cloudy orange beer being awash instead with massive succulent nectarine hop flavours. Of course there wasn't enough of it to keep the punters content and both casks sold out soon after being tapped. There were also limited supplies of a 6% ABV IPA which I only got a taste of (thanks Oblivious!), another mouthwatering full and fruity one. And briefly we had an unnamed dark beer with a wonderful bitterness to it. It's one of those where I couldn't tell it was dark when tasting with my eyes closed so could probably be safely badged as a B***k I*A, were the brewery so inclined.

The beer I heard most good reports about was the new one from 8 Degrees, a Märzen called Ochtoberfest: celebrating the number eight and in no way, shape or form connected to any trademarked seasonal German beer event. I was wary at first as it's quite a dark shade of orange, the same colour as all those undrinkably sticky American Märzens and Oktoberfestbiers. However the proper bready aroma set my mind at ease, and on tasting: wow! They've pulled the usual 8 Degrees trick of taking an established style and moving everything up just a notch. Or maybe two. So from a big dose of Saaz and Hallertau there's a nettle flavour rising to a rocket-like pepperiness, as well as all the rounded and filling Munich malt. Proof perhaps that you don't have to be VLB-trained to make kick-ass lager, but it helps.

Staying in Cork, another festival favourite of mine was Franciscan Well's Mi Daza. This stout is a commission from the owner of several pubs in Cork city so isn't meant to be seen elsewhere, and certainly not in the posh end of Dublin. But there it was, and splendid too: light of body but with a strong vegetal hop tang, like a lighter, more sinkable version of Porterhouse Wrasslers XXXX.

Time was, getting a new Irish beer onto this blog meant drinking a glass of it and writing down how it tasted. Increasingly these days it has become a multi-stage project. So it was with the latest one from Metalman: Moonbeam. The first version of it I tasted was served from the cask and had some bonus cranberries added dry. It was nice as it went: a smooth and dry dark ale with a tart finish and just a whisper of sweet red berries. Later I got to taste the unhacked keg version and found it quite different. The tart finish spreads throughout the flavour to become a full-on bitter hop tang. The hops also leap out in a wonderful spicy green aroma which is sadly absent from the cask edition. Another one the brewers could go calling a *lac* *P*, y'know, if they wanted to.

A bit of a dry account of the new beers at the gig there: such is the nature of this blog. I also had plenty of old favourites, including Hilden's Barney's Brew: first time I'd met it in Dublin, and some fantastic dry-hopped cask versions of Franciscan Well's Rebel Red. I haven't even mentioned the splendid new bottles from White Gypsy, due to hit the off licences in the next couple of weeks, but since I took one home with me (thanks Cuilán!), those notes will be coming later.

Above all, my abiding impression was that the Irish Craft Beer Festival was not simply a big hall with beers for sale, nor a three-day piss-up, but a proper celebration of beer in Ireland as it is now, with plenty to excite both wary newcomers and jaded old hacks like me. I'm looking forward to many more years of this event.