The old boys

Back here I mentioned that I'd set aside a box of beers for a year or so, just to see what happened to them with a bit of aging. In fact, the box has spent two years in my oubliette, though hasn't survived completely intact. The strong Belgian ale that Barry and Kieron brewed didn't survive last winter (and was delicious); likewise the 2007 Sierra Nevada Bigfoot, so I've started that process again by cellaring the 2008 and 2009 editions.

But the Old Engine Oil which prompted the experiment remains, and last week I nipped in to DrinkStore to grab a fresh bottle for comparison. The young one had the same rather subtle dark fruit flavours as I recall from two years ago: quality drinking, but with nothing really jumping out of it. And the older one was along very similar lines, but there was a noticeable difference. The fruity sourness had rounded out and become somewhat more pungent -- reminiscent of that almost solvent-like flavour you get with super-strength barrel-aged imperial strength stouts, only with half the impact and allowing all the gentle chocolate and coffee shine through as well. This extra complexity means that aging is definitely the way to treat this beer. It won't turn into the world's greatest strong dark ale, but it definitely adds to the enjoyment.

The last Rip Van Winklebrouw is a Thomas Hardy's Ale, purchased from Redmond's in 2007, though dating from the 2003 vintage. The nip bottle does its best to justify a €5 price tag with a unique number, gold foil and some neck bling. It'll have to do better than that, I thought, taking the cap off. The aroma asserted itself immediately -- that rich sweet pudding scent which I got from the fabulous Samuel Adams Triple Bock. With a slightly murky dark ruby colour, the texture is thick and heavy, but there's definitely a light sparkle there, and no syrup or unpleasant stickiness. The flavour has the sweet, yet bitter, yet dry character of crumbly high-cocoa dark chocolate. It's also nicely spirituous, which all adds up to a wonderful cherry liqueur chocolate effect. End-to-end quality and not a single bum note anywhere.

Apart from the question I ask all beers -- "I wonder what that stuff's like" -- the only other question I had for Thomas Hardy's was "Should I buy some more?", especially now that O'Hanlon's have stopped brewing it so there's only a limited supply floating about in Dublin. That'll be a yes.

Arbitrating the arbitrary

Random shelf sweeps in off licences are a fairly routine part of my drinking life. A recent one turned up a bottle of Honey Brown Lager from the Sleeman brewery in Ontario. The amber colour (or "honey brown", if you prefer) is impressive, and there's a gently sweet honey aroma and foretaste. Coupled with the light carbonation and full mouthfeel, a sip of this is a pleasant experience. However, it's also a short-lived one. After a second the honey flavours give way to... nothing, and the drinker is left with just another quite tasteless North American lager. A shame, because a little tweaking could make this one of the very few genuinely tasty honey beers. I can't complain too much, however: with random selection, it's not the quality of the beer that counts so much as the knowledge it brings. *Tick*

Very occasionally, I get to do the opposite of random selection when a beer I've been looking for shows up on a shelf in front of me. Top of my want list, until yesterday, was Old Engine Oil from Harviestoun. My experiences with Bitter & Twisted and Schiehallion tell me that this crowd know a thing or two about making beer. While their other two are readily available in Dublin's better off licences, the lack of the final beer in their range seemed like an anomaly. Some distributor has now rectified that, thankfully.

The pour leaves one in no doubt why the brewer who invented it, an ex-engineer, bestowed this particular name on the beer: it's very thick and very black. Carbonation is light and results in only the thinnest of heads. There's an aroma of ripe, dark fruits which reminds me a lot of the Trappist ales. Unsurprisingly the mouthfeel is thick and chewy, as one gets with much stronger dark beers. Conversely, the taste is rather more subtle than one would expect for a dark beer of 6% ABV. That's not to say it isn't complex, however. The ripe fruit is there again, included in quite a sharp sourness. I served it chilled, as recommended, but found that the sourness gradually subsided as it warmed and was replaced by richer bitter chocolate notes. When combined with the lack of gas, this makes for some very smooth drinking indeed.

My bottle was dated March 2009, so I'm wondering if the sourness was a product of the beer being too young, as it may have been with the Westvleteren 8 I had recently. At the moment I have a box of beers I'm planning to set aside for a year or so to see if they improve. I reckon I'll throw one of these in there as well.